2nd JOE Indie Pop-up Book Fair

2nd JOE Pop-up Indie Book Fair

Has time really flown by this fast? It’s time for the second JOE Indie Pop-up Book Fair! This time, Ryhen E. Knight will be standing in to sell The Flight of the Phoenix and Phoenix Fire.

Get yourself to Alkantrant Public Library (cnr Daventry and Lyburn Streets, Lynwood, Pretoria) on 17 November 2018 between 10:00 and 13:00 to show some support to local authors.

If in doubt about the details, you can check out the event on Facebook.

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JOE Indie Pop-up Book Fair

The good people from Just One Earth are hosting an indie book fair at Alkantrant Library in Pretoria this Saturday – 14 July 2018! If you are in Gauteng, come have a look at what the local authors have on offer. 10% of all proceeds will be donated to Alkantrant Library.

If you’ve missed out on your copy of The Flight of the Phoenix or Phoenix Fire, this will be your opportunity to get your hands on them AND have them signed by me and Ryhen E Knight. I have it on good authority that Linzé Brandon will also be there, which means you may also be able to get one of the last few copies of STORM!

Because of my awesome cover designer who is full of handy suggestions, I will also have QR codes at the fair that will link you directly my separate short stories on Amazon! So, if you prefer eBooks, come along anyway and get your hands on electronic copies of all my books too!

Date: Saturday, 14 July 2018
Time: 10:00-14:00
Place: Alkantrant Library – Cnr Daventry and Lynburn Streets, Pretoria, South Africa

The Flight of the Phoenix on Unisa Radio

Before 25 July 2015, I had never before been in a radio station studio before. I arrived a good hour early…you know, so I have time to get lost trying to find the campus where it’s situated and then get lost trying to find the right building and the right room and so forth.

It turns out, I used to work on the very campus where Unisa Radio has its building. And it took me all of 5 minutes to find the station’s building inside.

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Going on air was actually quite relaxing after stressing myself out beforehand. I guess it also helped that our DJ, SindiM, was really easy to talk to and she didn’t ask any questions I wasn’t prepared for.

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HJ Kruger, SindiM and Natalie Rivener

To listen to our interview, click here.

Afterwards, true to form, HJ and I spent an hour talking about writing and story ideas. It’s a writer thing – you get lonely sitting behind your PC screen tapping away at the keys. And, when you finally see someone who can relate, you develop instant verbal diarrhoea and overcome all paranoia about the other author stealing your ideas.

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HJ Kruger and Natalie Rivener taking a shameless selfie…haha

The Flight of the Phoenix – podcast

This is your chance to hear me displaying all kinds of bravado on Release the Geek, the official GeekXP.co.za podcast!

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Les (from Release the Geek) actually podcast ambushed me one sunny day while I was at home with my son (who was almost 3 months old at the time)…so, you might get to hear a little baby voice here and there. *blush*

All in all, I think it went quite well. And I put my foot in my mouth less often than usual.

Click here to listen to the podcast!

The Flight of the Phoenix – Authors

Last but not least is HJ Kruger. I met this multi-talented artist/writer/designer during my university years. He is an absolutely fascinating creature and I have spent much time marvelling at his art (photography, paintings, stories, designs and more).

He has slaved away hours working on cover and banner designs for The Flight of the Phoenix and we are eternally grateful for his fantastic work.

Here is his interview:

How has your participation in The Flight of the Phoenix changed your approach to writing?
Let me start by saying what an amazing experience it’s been collaborating on this anthology. Flight of the phoenix taught me to be more focused in my writing and also to be more flexible. In developing a story specifically tailored for a publication I leaned to be receptive to constructive criticism and respect the creative process. The best thing of working on this project was the support and developmental feedback from the publisher, Siygrah Books, that always assured me that my story was in the best possible hands from the start.

Is writing a short story much different from screenwriting?
Screen writing is a lot more structured with a more defined format. The use of adverbs and inner dialogue, especially narration, is widely discouraged. Because a screenplay is never supposed to be a piece of literature by itself, it should rather be looked at as the creation of a blueprint that will guide and aid the filming process. When writing a short story I feel a lot freer to explore the minds of my characters and describe their inner realms, something that is sadly absent when you have to tell a story visually.

As the cover designer of the anthology, what was your biggest challenge?
The original image was a stunning hand-drawn image by Elsabé Viljoen; my biggest challenge was to reinvent the image to better suit the market and genre expectations and I think that the process was well worth it and yielded a image that both me and the publisher were happy with.

Get into contact with HJ Kruger:

https://www.facebook.com/hjkrugerwriter

The Flight of the Phoenix – Authors

Ahhh, Richard. The man who set me on the next journey in my writing career. He’s one of those guys who will charm the socks off you. I can’t help but listen to his advice. Heck, today I came home with a tub of coconut oil and a packet of coconut flour just because he was telling me about its amazing baking applications.

Initially, I actually met him because he was my middle sister’s best friend’s little brother (at the time, all I really knew about him was that he kept a rat called Rattex). Try that for a tongue twister! Say “my middle sister’s best friend’s little brother” six times fast!

He kept popping up in my life and I never suspected that he would one day be writing right along with me…and that I would learn so much from him.

Here’s what he had to say when I asked him a few questions:

What was the biggest lesson you learned as a contributor to the anthology?

Each writing project teaches you something about yourself, but a collaborative project can acquaint you with your limits. Limits of personal time management, limits of personal leadership and, more importantly, the limitless potential of a collaborative effort. Writing is usually a solitary affair, but when writing for an anthology it’s not just you. Your work needs to match up to others, so you naturally up your game.

An anthology gives you an opportunity that you also don’t always have readily available, access to other writers and an overarching volume editor. These two parties also have a stake in the quality of the anthology, so they tend to provide focussed and valuable feedback to your work, and you to theirs.

If you have the opportunity to write for an anthology, I’d recommend it. Your co-authors will make you a better writer, and hopefully, so will you them.

What are your current writing projects?

It’s a pretty exciting time, actually. I am writing a series with a co-author, the talented Carmen Dominique Taxer, and simultaneously blogging about the process of writing, post-production, publication, and marketing the series on DauntlessWriting.com. I have the aim of doing this full-time, as opposed to trying to squeeze it in between full-time drudgery at a traditional nine to five. We’re going full indie, taking responsibility for every facet of the creative process. Marketing is creative too! I’m hoping that the non-fiction work will be of some help to others who walk the same path as we are.

The series itself is something that I believe will have seen the light of day if the traditional gatekeepers of the publishing world had their say. The beauty of indie authorpreneurship is the ability to do what you want, when you want to, and not being beholden to someone else’s idea of what will be “worthy” for publication. If traditional publishers were honest with themselves, they would admit that they have no idea what makes one book explode onto the bookshelves of every home in the world and another fizzle back down into obscurity.

The series is called Sanguinem Emere, (which is an archaic legal term that, loosely translated, means redemption bought through blood). It is a Gaslight Vamp series which draws from diverse inspirations, such as from the Anne Rice Vampire Chronicles to A Song of Ice and Fire, to the Steampunk genre, to the classics’ Gothic Horror. Like I said, traditional publishers would have had no idea what to do with this.

If an aspiring author approaches you about writing their first novel, what advice would you share?

ABC. Always Be Creating. There is a reason that the first episode of the Dauntless Writing Podcast is on this topic. The rest of the stuff will follow, just get yourself in the seat and write. Even if you think your writing is no good, even if you think you have a bunch of other stuff to do first, like reading up on craft or publishing. Write, because the best way to get better is by writing. Read up, by all means, but never let that stop you from putting words on paper.

Priority number one is Always Be Creating. You can always make it better later as you learn new skills and techniques.

Contact Richard T Wheeler

His personal website

Dauntless Writing

Vampire Bibliographica

Goodreads

Facebook

Twitter – @RichTWheeler

The Flight of the Phoenix – Editor

Every book has its evil editor and I have the honour of filling that role this time. I sent their stories to beta readers. I made my writers jump through hoops. I made them rewrite whole stories. I demanded pictures, author bios and links to their online presence. I had to strongly resist the urge to drive over to their houses to strangle them.

Being an editor really is no cakewalk. You have to tell people that their pride and joy is riddled with errors and inconsistencies. You  have to wheedle and needle people for stories they promised time and time again and simply did not submit. You have to cajole and encourage and sometimes even berate your writers (friends, family and acquaintances).

I’m not a heartless person. In fact, I have been known to be a real softy. But, goodness, did this anthology make me learn the value of giving a cold shoulder to people you love…and to yourself.

I was among the very last to submit a story. My story’s second round of beta reading happened in the last two weeks of editing the book. And I’m very relieved to say that my feedback meant minimal changes.

During the compilation and and endless editing on The Flight of the Phoenix, I have learned more than I ever expected to. I had a crash course in learning how to use Scribus, an amazing open source programme for desktop publishing. I learned how to publish a book on Amazon and CreateSpace. I had to relearn how things work on Goodreads. I had to rediscover what my preferences were for writing conventions. I had to put my foot down really hard to get things the way I wanted them. And…I learned that Amazon will make us wait 3 months before we get to publish on Smashwords. And publish on Smashwords we will (in October).

My advice to anyone who wants to publish a book:
Get your ducks in a row, it’s not easy. You need to keep to your own deadlines. You need to keep your writers to their deadlines. You need to learn skills you never knew were necessary and things like that take time.

To get your hands on our book, use any of the links above and remember to get your discount code from me on via our Facebook page.